Gorky Literary Prize

The All-Russian Gorky Literary Prize was established by the Literary Education Publishing House and the Russian Cultural Foundation in 2005. In 2008, the Center for the Development of Interpersonal Communications became one of the founders of the Prize, with the direct participation of which each Award Ceremony is held. In 2013, the official partners of the Gorky Prize also became Charitable Foundation social initiatives "National Unity" and the international concern "Hyundai Motor CIS".

The purpose of the Prize is to support authors whose works, based on the traditional values ​​of classical Russian literature, reflect the processes taking place in society, the country and literature with the greatest completeness and drama. In addition, among the objectives of the Prize is to support the formation, development and revival of national identity, morality and patriotism.

Traditionally, the Gorky Literary Prize is awarded annually in the following categories:

• "Foma Gordeev" - artistic prose.
• "In Russia" - historical journalism, local history.
• "My Universities" - for high professionalism and selfless service to belles-lettres.
• "Untimely Thoughts" - criticism.
• "Don't scold my muse..." - poetry.

The jury consists of:

- Mikhalkov Nikita Sergeevich- Honorary Chairman of the Jury. National artist RSFSR; The president Russian Foundation culture; Chairman of the Union of Cinematographers of Russia; Member of the Presidium of the Council under the President of the Russian Federation for Culture and Art.

- Varlamov Alexey Nikolaevich- President of the Jury. Prose writer, literary critic, doctor of philological sciences, professor of Moscow State University and Literary Institute. M. Gorky. Chief Editor journal "Literary Studies". Author of several novels, biographies of Mikhail Prishvin, Alexander Grin, Grigory Rasputin, Alexei Tolstoy, Mikhail Bulgakov (ZhZL series); Member of the Council for Culture under the President of the Russian Federation.

-Basinsky Pavel Valerievich- Member of the Union of Russian Writers (1993). Prose writer, literary critic, columnist Russian newspaper”, Academician of the Academy of Russian Modern Literature; Author of the books "Passion for Maxim", "Bitter" (series "ZhZL").

-Krasnikov Gennady Nikolaevich- Poet, teacher of the Literary Institute. M. Gorky, laureate of the Gorky Literary Prize. Compiler of poetry collections and anthologies, including the almanac "Poetry".

- Shevarov Dmitry Gennadievich- Prose writer, journalist, essayist, literary critic, Member of the Moscow Writers' Union, laureate of the Gorky Literary Prize. Author of the books "Inhabitants of the Grass" (2000), "For Living Water" (2001), "Illuminated by the Sun" (2004), a collection of essays "Kind Faces" (2010).

- Yakovlev Alexander Alekseevich- Prose writer, journalist. Executive secretary of the publishing house "Literary studies". Member of the Writers' Union of Moscow. Author of the books “Everything we remember”, “Walking from under the table”, “Autumn woman”, “Bathing in the Red Horse”, “Fried pineapples”, the documentary book “1947”, the script for the film about Mikhail Zoshchenko “They beat me three times” (co-authored with Pavel Basinsky). Translated from of English language over 20 novels. Prose was published in Denmark, China, the USA, Finland and other countries.

ROME, Oct 5 - RIA Novosti, Sergey Startsev. The names of the new laureates of the Gorky Literary Prize, which for seven recent years the successes of Russian and Italian writers and translators are celebrated on Monday on the Italian island of Capri, where the great Russian writer lived for about six years.

The winner of the competition in the nomination "Writers" members of the international jury, headed by the Italian linguist Giovanni Bogliolo and the Russian writer Viktor Erofeev, recognized Franco Arminio. The Gorky Prize was awarded to his book Postcards from the Other World, which was published in Russian and translated by Gennady Kiselev. In another traditional nomination of the award "Translators" the award went to Paolo Nori, who made a new translation of Leo Tolstoy's story "Hadji Murad" into Italian.

The special Gorky Prize "For outstanding contribution to the development of world culture" this year was awarded to the famous Opera singer Mirella Freni.

The solemn ceremony of presenting the Gorky Prizes will traditionally take place in the evening in the ancient monastery of Certosa di San Giacomo. It is to Gorky that Capri owes the salvation of this unique historical monument. Upon learning that local authorities are going to rebuild the monastery into a casino, the writer insisted on assigning the status of an architectural monument of national importance to the medieval monastery.

"Over the past seven years, the Gorky Prize, which has turned into a kind of festival of Russian culture in southern Italy, has already become a familiar event in the rich palette of cultural ties between our countries. However, this season will differ from previous ones not only in the composition of participants and new creative projects. For the first time, we are trying to implement a festival within the framework of the award, the first part of which will traditionally be held in Capri, and the second part will be held in Sorrento, where the Italian public will see a lot of interesting things," Svetlana Chernomyrdina, vice president of the Chernomyrdin Regional Public Foundation, told RIA Novosti.

The program of the Sorrento part of the festival, in particular, will feature several projects developed by the Gorky Prize Association in cooperation with the Stroganov Moscow State Art and Industry Academy. We are talking about an exhibition of Soviet film posters of the 1920-1930s and a master class "Dedication to Sylvester Shchedrin". The finale of the festival this year will be a concert of soloists of the Academy of Young Opera Singers of the Mariinsky Theater in Sorrento.

The Gorky Literary Prize was established in 2008 by the Chernomyrdin Regional Public Foundation, the Gorky Prize Association and the Municipality of Capri. This award is intended to help encourage creative activity in the area of fiction and literary translation in Russia and Italy, to create prerequisites for acquaintance of critics and the general public with the current trends in the development of the literature of the two countries. Russian and Italian writers alternately become the nominees for the award. In 2014, the prize was awarded to Vladimir Voinovich for the novel "Moscow 2042" and Olga Egorova for the translation of the novel "Calligraphy of Passion" by Roberto Cotroneo.

State Prize of the RSFSR named after M. Gorky- Prize awarded by the Council of Ministers of the RSFSR for works of literature. Awarded in 1966-1991 annually for literary activity in all genres. The awardees were awarded the title of "Laureate of the State Prize of the RSFSR" and were awarded a Badge of Honor and a diploma.

Laureates of the State Prize of the RSFSR named after M. Gorky

1. Alekseev, Mikhail Nikolaevich - for the novel Cherry Whirlpool (1961)
2. Kuliev, Kaysyn Shuvayevich - for the book of poems "The Wounded Stone" (1964)
3. Martynov, Leonid Nikolaevich - for the book of poems "Birthright" (1966)

1. Krutilin, Sergei Andreevich - for the novel "Lipyagi. From the notes of a village teacher "(1963-1965)
2. Ruchiev, Boris Alexandrovich - for the poem "Lyubava" (1962) and the book of poems "Red Sun" (1960) and "Seeing Valentina" (1960)
3. Kugultinov, David Nikitich - for the book of poems "I'm your age" (1966)

1. Keshokov, Alim Pshemakhovich - for the novel "The Peaks Don't Sleep" (1960-1966)
2. Mikhailov, Nikolai Nikolaevich - for the book "My Russia" (1964-1966)
3. Fedorov, Vasily Dmitrievich - for the book of poems "The Third Roosters" (1966) and the poem "The Seventh Heaven" (1968)

1. Konovalov, Grigory Ivanovich - for the novel "Origins" (1959-1967)
2. Smirnov, Sergei Vasilievich - for poetic works (1967-1968)
3. Solovyov, Boris Ivanovich, literary critic, - for the book "The Poet and His Feat"

1. Zakrutkin, Vitaly Alexandrovich - for the story "The Human Mother" (1969)
2. Permitin, Efim Nikolaevich - for the trilogy "The Life of Alexei Rokotov": "Early Morning" (1958), "First Love" (1962) and "The Poem of the Forests" (1969)
3. Khakimov, Sibgat Tazievich (Sibgat Khakim) - for the poems "Letter to Lenin from the peasants of the village of Kokushkino", "At the call of Lenin" (1958), "My heart speaks to me with Lenin" (1970) and poems of recent years

1. Tatyanicheva, Lyudmila Konstantinovna - for the book of poems "Zoryanka" (1970)
2. Ivanov, Anatoly Stepanovich - for the novel "Eternal Call"
3. Danilov, Semyon Petrovich - for the books of poems "White Night" (1968) and "The White Horse of Manchara" (1969)

1. Dudin, Mikhail Alexandrovich - for the book of poems "Time" (1969)
2. Ukhsay, Yakov Gavrilovich - for the book of poems "The Star of My Childhood" (1970)
3. Yugov, Alexei Kuzmich - for the dilogy "The Last Judgment" (1971)

1. Vasiliev, Sergey Alexandrovich - for the poem "Dignity"
2. Kalinin, Anatoly Veniaminovich - for the stories "Echo of War" (1963) and "No Return" (1971)
3. Hodger, Grigory Gibivich - for the trilogy "Cupid Wide" (1964-1971)

1. Vikulov, Sergey Vasilyevich - for the book of poems "Plow and furrow" (1972)
2. Narovchatov, Sergei Sergeevich - for the poem "Vasily Buslaev" (1967)
3. Orlov, Sergei Sergeevich - for the book of poems "Fidelity" (1973)
4. Proskurin, Pyotr Lukich - for the novel "Fate" (1972)

1. Astafiev, Viktor Petrovich - for the stories The Pass (1959), The Last Bow (1968), Theft (1966), The Shepherd and the Shepherdess (1971)
2. Damdinov, Nikolai Garmaevich - for the book of poems and poems "Four Heavens" (1965), "April" (1973)
3. Drunina, Yulia Vladimirovna - for the book of poems "There is no unhappy love ..." (1973)
4. Nosov, Evgeny Ivanovich - for the book "Meadow fescue makes a noise" (1977)

1. Voronin, Sergey Alekseevich - for the book "Parents' House"
2. Firsov, Vladimir Ivanovich - for the collection of poems "Music of the Soul"
3. Fokina, Olga Alexandrovna - for the book of poems "Poppy Day"
4. Barabash, Yuri Yakovlevich, literary critic, - for the book "Questions of Aesthetics and Poetics"

1. Zhukov, Vladimir Semyonovich - for the book of poems "Ivolga"
2. Zumakulova, Tanzilya Mustafaevna - for the book of poems "Secrecy" (1974)
3. Prokushev, Yuri Lvovich, literary critic, - for the book “Sergey Yesenin. Image, poems, era "
4. Chivilikhin, Vladimir Alekseevich - for the book "Across towns and villages" (1976)

1. Ananiev, Anatoly Andreevich - for the novel "Miles of Love" (1971)
2. Kochin, Nikolai Ivanovich - for the trilogy "Youth", "Nizhny Novgorod Slope" (1970), "Rattlesnake Glade"
3. Shestalov, Yuvan (Ivan) Nikolaevich - for "Pagan Poem" (1971)
4. Kuznetsov, Felix Feodosevich - for the book "Roll Call of the Epochs"

1. Kozhukhova, Olga Konstantinovna - for the book "Donnik"
2. Reshetnikov, Leonid Vasilyevich - for the book of poems "Thanksgiving"
3. Soloukhin, Vladimir Alekseevich - for the novels and stories of recent years "Beautiful Adygene", "Cane", "Honey on Bread" (1978), "Barometer", "Warsaw Etudes"
4. Shundik, Nikolai Eliseevich - for the novel "The White Shaman" (1977)

1. Akulov, Ivan Ivanovich - for the novel "Baptism"
2. Vasiliev, Ivan Afanasyevich - for the book of essays "I love this land", "I take it upon myself"
3. Gamzatov, Rasul Gamzatovich - for the poem "Take care of mothers" (1978)
4. Chepurov, Anatoly Nikolaevich - for the book of poems "Poems. Poems»

1. Gorbachev, Nikolai Andreevich - for the novel "Battle"
2. Dorizo, Nikolai Konstantinovich - for poems and songs of recent years, published in the books "While there are trees in the world" (1978), "I once composed a song"
3. Mashbash, Iskhak Shumafovich - for the book of poems and poems "The generous sun of noon"
4. Semenov, Georgy Vitalievich - for the book of novels and short stories "Blue Smoke" (1979)

1. Dementiev, Valery Vasilyevich, critic, literary critic, - for the book "Confession of the Earth"
2. Krivitsky Alexander (Zinovy) Yuryevich - for the book “Shadow of a Friend. Wind at the crossroads
3. Nazmutdinov, Nazar Nazmutdinovchi (Nazar Najmi) - for the book of poems and poems "Invitation to a friend", "Breath", "Sides"
4. Kholopov, Georgy Konstantinovich - for the book of stories, novels, memoirs "Midsummer Day"

1. Blagov, Nikolai Nikolaevich - for the book of poems and poems "Poklonnaya Gora"
2. Baruzdin, Sergei Alekseevich - for the book of stories "Of course"
3. Ovcharenko, Alexander Ivanovich, critic, literary critic, - for the book of literary critical articles "From Gorky to Shukshin"
4. Rytkheu, Yuri Sergeevich - for the novel "The End of Permafrost" (1977)

1. Gorbovsky, Gleb Yakovlevich - for the book of poems "Facial Features"
2. Ostrovoy, Sergei Grigorievich - for the book of lyrics "Years ..." (1981)
3. Starshinov, Nikolai Konstantinovich - for the book of poems "The River of Love"
4. Toropov, Ivan Grigorievich - for the book of stories and novels "You will live on"

1. Voronov, Yuri Petrovich - for the book of poems "Blockade" (1973)
2. Danilov, Sofron Petrovich - for the book "On the Yakut Land" (novels "Beauty Amga" (1976), "Heart Beats" (1967))
3. Kornilov, Vladimir Grigorievich - for the novels Semigorye and Godina
4. Shefner, Vadim Sergeevich - for the book of poems "Years and Moments" (1983)

1. Goncharov, Yuri Danilovich - for the collection of short stories and novels "Expectations" (1985)
2. Pozhenyan, Grigory Mikhailovich - for the book of poems "The Chase"
3. Sorokin, Valentin Vasilyevich - for the book of poems and poems "I want to be the wind"
4. Tkachenko, Anatoly Sergeevich - for the book of stories "People by the Ocean"

1. Gilyazov, Ayaz Mirsaidovich - for the collection of stories "In the light of lightning"
2. Kostrov, Vladimir Andreevich - for the book of poems and poems "Opened to the eye"
3. Kunyaev, Stanislav Yurievich - for the book of critical and journalistic articles "Fire Flickering in a Vessel"
4. Shurtakov, Semyon Ivanovich - for the novel "Odolen Grass"

1. Likhonosov, Viktor Ivanovich - for the novel Unwritten Memoirs. Our little Paris
2. Pikul, Valentin Savvich - for the novel "Cruiser"
3. Sangi, Vladimir Mikhailovich - for the novel "Journey to the Lunvo Camp"

1. Znamensky, Anatoly Dmitrievich - for the novel-chronicle "Red Days"
2. Parpara, Anatoly Anatolyevich - for a poetic dilogy about Russia ("Confrontation" and "Shock")
3. Smirnov, Viktor Vasilyevich - for the book of stories "Back streets"
4. Khakimov, Akhiyar Khasanovich - for the book "The Lament of the Dombra"

1. Kuznetsov, Yuri Polikarpovich - for the book of poems and poems "The soul is faithful to unknown limits"
2. Solzhenitsyn, Alexander Isaevich - for the book "The Gulag Archipelago"

1. Volkov, Oleg Vasilyevich - for the book "Immersion in Darkness" (1987)

Note

• In the Decrees of 1990-1991, the nomination of the award is indicated as "in the field of literature" without mentioning the name of M. Gorky

Sources

1. Decree of the Council of Ministers of the RSFSR "On the award of State Prizes of the RSFSR in the field of literature, art and architecture". The newspaper "Soviet Russia" dated 12/29/1967; 12/28/1968; 12/26/1970; 12/29/1971; 12/29/1972; 12/21/1973; 12/21/1974; 12/26/1975; 12/25/1976; 12/29/1977; 12/28/1978; 12/21/1979; 12/20/1980; 12/27/1981; 12/15/1983; 12/27/1984; 12/26/1985; 12/22/1987; 12/28/1988; 12/28/1988; 12/11/1990. The newspaper "Soviet Culture" dated 10/15/1966; 12/22/1982; 12/25/1986. The newspaper "Literaturnaya Rossiya" dated 9.1.1970.

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An excerpt characterizing the State Prize of the RSFSR named after M. Gorky

“Do you know Sophie, cousin?” I love her, I promised to marry and marry her ... Therefore, you see that this is out of the question, ”Nikolai said awkwardly and blushing.
- Mon cher, mon cher, how do you judge? Why, Sophie has nothing, and you yourself said that your father's business was very bad. What about your maman? This will kill her. Then Sophie, if she is a girl with a heart, what kind of life will she have? The mother is in despair, things are upset... No, mon cher, you and Sophie must understand this.
Nicholas was silent. He was pleased to hear these conclusions.
“All the same, ma tante, this cannot be,” he said with a sigh, after a pause. - Will the princess still go for me? and again, she is now in mourning. Is it possible to think about it?
“Do you really think that I will marry you now?” Il y a maniere et maniere, [There is a manner for everything.] - said the governor's wife.
“What a matchmaker you are, ma tante…” Nicolas said, kissing her plump hand.

Arriving in Moscow after her meeting with Rostov, Princess Marya found there her nephew with a tutor and a letter from Prince Andrei, who prescribed them their route to Voronezh, to Aunt Malvintseva. Worries about moving, anxiety about her brother, the arrangement of life in a new house, new faces, the upbringing of her nephew - all this drowned out in the soul of Princess Marya that feeling of temptation that tormented her during her illness and after the death of her father, and especially after meeting with Rostov. She was sad. The impression of the loss of her father, united in her soul with the death of Russia, now, after a month that had passed since then in the conditions of a quiet life, was felt more and more strongly by her. She was anxious: the thought of the dangers her brother was exposed to was the only close person, which remained with her, tormented her incessantly. She was preoccupied with the education of her nephew, for whom she felt constantly inadequate; but in the depths of her soul there was agreement with herself, which flowed from the consciousness that she crushed in herself the personal dreams and hopes that had risen, connected with the appearance of Rostov.
When the next day after her evening, the governor's wife came to Malvintseva and, after talking with her aunt about her plans (having made the reservation that, although under the present circumstances it is impossible to even think about formal matchmaking, it is still possible to bring young people together, let them get to know each other ), and when, having received the approval of her aunt, the governor’s wife under Princess Marya spoke about Rostov, praising him and telling how he blushed at the mention of the princess, Princess Marya experienced a feeling that was not joyful, but painful: her inner consent no longer existed, and again Desires, doubts, reproaches and hopes arose.
In those two days that passed from the time of this news to the visit to Rostov, Princess Marya did not stop thinking about how she should behave in relation to Rostov. Now she decided that she would not go out into the drawing room when he arrived at his aunt's, that it was indecent for her, in her deep mourning, to receive guests; then she thought it would be rude after what he had done to her; then it occurred to her that her aunt and the governor's wife had some kind of views on her and Rostov (their looks and words sometimes seemed to confirm this assumption); then she said to herself that only she, with her depravity, could think this about them: they could not help but remember that in her position, when she had not yet taken off her pleresis, such a courtship would be insulting both to her and the memory of her father. Assuming that she would come out to him, Princess Marya thought up the words that he would say to her and which she would say to him; and sometimes these words seemed to her undeservedly cold, sometimes having too great importance. Most of all, when meeting with him, she was afraid for embarrassment, which, she felt, should have taken possession of her and betrayed her as soon as she saw him.
But when, on Sunday after mass, the footman reported in the drawing room that Count Rostov had arrived, the princess did not show embarrassment; only a slight blush came to her cheeks, and her eyes lit up with a new, radiant light.
Have you seen him, auntie? said Princess Mary in a calm voice, not knowing herself how she could be so outwardly calm and natural.
When Rostov entered the room, the princess lowered her head for a moment, as if giving time to the guest to greet her aunt, and then, at the very moment that Nikolai turned to her, she raised her head and met his gaze with shining eyes. With a movement full of dignity and grace, she rose with a joyful smile, extended her thin, tender hand to him, and spoke in a voice in which for the first time new, feminine chest sounds sounded. M lle Bourienne, who was in the drawing room, looked at Princess Mary with perplexed surprise. The most skillful coquette, she herself could not have maneuvered better when meeting a person who needed to please.
“Either black suits her so much, or she really got so prettier, and I didn’t notice. And most importantly - this tact and grace! m lle Bourienne thought.
If Princess Mary had been able to think at that moment, she would have been even more surprised than m lle Bourienne at the change that had taken place in her. From the moment she saw that sweet, beloved face, new power life took possession of her and forced her, against her will, to speak and act. Her face, from the time Rostov entered, suddenly changed. How suddenly with an unexpected striking beauty appears on the walls of the painted and carved lantern that complex skillful artistic work, which previously seemed rough, dark and meaningless, when the light inside is lit: so suddenly the face of Princess Marya was transformed. For the first time, all that pure spiritual inner work by which she had lived until now came out. All her inner work, dissatisfied with herself, her suffering, striving for good, humility, love, self-sacrifice - all this now shone in those radiant eyes, in a thin smile, in every line of her tender face.
Rostov saw all this as clearly as if he had known her all her life. He felt that the creature that was before him was completely different, better than all those he had met up to now, and better, most importantly, than himself.
The conversation was the simplest and most insignificant. They talked about the war, involuntarily, like everyone else, exaggerating their sadness about this event, they talked about the last meeting, and Nikolai tried to divert the conversation to another subject, they talked about the good governor, about the relatives of Nikolai and Princess Mary.
Princess Mary did not speak of her brother, diverting the conversation to another subject as soon as her aunt spoke of Andrei. It was evident that she could talk about the misfortunes of Russia in a pretense, but her brother was a subject too close to her heart, and she did not want and could not talk lightly about him. Nikolai noticed this, as he generally, with penetrating observation unusual for him, noticed all the shades of Princess Marya's character, which all only confirmed his conviction that she was a very special and extraordinary creature. Nikolai, just like Princess Marya, blushed and was embarrassed when they told him about the princess and even when he thought about her, but in her presence he felt completely free and said not at all what he was preparing, but what instantaneously and always incidentally occurred to him.
During the short visit of Nicholas, as always, where there are children, in a moment of silence, Nicholas resorted to little son Prince Andrei, caressing him and asking if he wants to be a hussar? He took the boy in his arms, began to twirl him merrily, and looked round at Princess Mary. A touched, happy and timid look followed her beloved boy in the arms of a loved one. Nikolai noticed this look too and, as if understanding its meaning, blushed with pleasure and began to kiss the boy good-naturedly and cheerfully.
Princess Mary did not leave on the occasion of mourning, and Nikolai did not consider it decent to visit them; but the governor's wife nevertheless continued her business of matchmaking and, having conveyed to Nikolai the flattering things that Princess Marya had said about him, and vice versa, insisted that Rostov explain himself to Princess Marya. For this explanation, she arranged a meeting between young people at the bishop's before Mass.
Although Rostov told the governor's wife that he would not have any explanation with Princess Marya, he promised to come.
Just as in Tilsit, Rostov did not allow himself to doubt whether what is recognized by all as good is good, so now, after a short but sincere struggle between trying to arrange his life according to his own mind and humble submission to circumstances, he chose the latter and left himself to the power that he (he felt) irresistibly attracted somewhere. He knew that by promising Sonya to express his feelings to Princess Marya, it would be what he called meanness. And he knew that he would never do meanness. But he also knew (and not what he knew, but in the depths of his soul he felt) that, now surrendering himself to the power of circumstances and the people who guided him, he not only did nothing wrong, but did something very, very important, such something he had never done before in his life.

The award was established by the public association "Gorky Prize" to encourage and develop creative activity in the field of fiction and literary translation in Russia and Italy. The main partners of the association are the Chernomyrdin Regional Public Foundation "Support and Development of the Middle Class" and the municipality of Fr. Capri.

The award is given in two categories - "Writers" and "Translators". The jury of the Prize includes well-known writers, Slavists, experts in literary criticism and translation from Italy and Russia. The chairmen of the jury are the linguist Giovanni Bogliolo and the writer Viktor Erofeev.

The solemn ceremony of presenting the Gorky Prize takes place alternately in Italy (the island of Capri) and in Russia (Moscow). The winner in each of the two nominations receives a petrel figurine (design by R. Khamdamov) and a cash prize as a reward.

Round tables and exhibitions are held under the auspices of the award.

Laureates

• - Aldo Nove, for the collection of short stories "Supervubinda" (M.: Ad Marginem, 2002) and translator Margarita Krepaks, for the translation of Sasha Sokolov's novel "School for Fools" (Milano: Salani, 2008)
• - Vladimir Sorokin, for the novel "Ice" (M., Ad Marginem, 2002) and translator Gennady Kiselev, for the translation of T. Landolfi's novel "Autumn Story" (M., B. S. G.-Press, 2005)
• - Niccolò Ammaniti, for the novel "I am not afraid" (M.: Inostranka, 2011) and translator Claudia Zongetti, for the translation of V. Shalamov's book "Vishera. Anti-Roman" (Italian edition: Milano: Adelphi, 2005)
• - Olga Slavnikova for the novel "Immortal" and translator Irina Zaslavskaya for the translation of Pier-Paolo Pasolini's novel "Shpana" ().

Links

• Award website (Russian), (Italian)

Wikimedia Foundation. 2010 .

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State Prize of the RSFSR named after the Vasiliev brothers- Medal of the laureate of the State Prize of the RSFSR named after the Vasilyev brothers State Prize of the RSFSR named after the Vasilyev brothers (... Wikipedia

State Prize of the RSFSR in the field of architecture- State Prize of the RSFSR Prize awarded by the Council of Ministers of the RSFSR in the field of architecture. The only State Prize of the RSFSR did not bear any honorary title. Awarded annually in 1967 1991 for architectural, construction ... Wikipedia

State Prize of the RSFSR- This term has other meanings, see State Prize. The State Prize of the RSFSR was awarded annually for "outstanding works and works in the field of literature, art and architecture that contribute to the communist ... ... Wikipedia

State Prize of the Russian Federation

State Prize of the Russian Federation- Breastplate of the laureate of the State Prize of the Russian Federation State Prize Russian Federation has been awarded since 1992 by the President of the Russian Federation for his contribution to the development of science and technology, literature and art, for outstanding ... ... Wikipedia

State Prize of the Russian Federation in the field of literature and art- Badge of the laureate of the State Prize of the Russian Federation The State Prize of the Russian Federation has been awarded since 1992 by the President of the Russian Federation for his contribution to the development of science and technology, literature and art, for outstanding ... ... Wikipedia

State Prize of Russia- Badge of the laureate of the State Prize of the Russian Federation The State Prize of the Russian Federation has been awarded since 1992 by the President of the Russian Federation for his contribution to the development of science and technology, literature and art, for outstanding ... ... Wikipedia

Prize- (from lat. praemium reward) one of the forms of encouragement for success achieved in work, in the scientific field, in literature, art, and other socially useful activities. Lenin Prizes, State Prizes of the USSR were established in the USSR ... Great Soviet Encyclopedia

Books

• Vladimir Chivilikhin. Selected works in 2 volumes (set), Vladimir Chivilikhin. In the two-volume edition of the award winner Lenin Komsomol Vladimir Chivilikhin includes prose and artistic and journalistic works ("The Flame of Life", "About Klava Ivanova", "Christmas Trees-winders", ... Buy for 480 rubles
• Eternal Call, Anatoly Ivanov. The duration of Anatoly Ivanov's novel "The Eternal Call" is 1902-1942. The writer covers a historical era, characterized by radical revolutionary changes, radical social ...